Background on Pearl Primus
A pioneer of African dance in the United States and a vital scholarly voice in anthropology, Pearl Primus burst onto the scene in the early 1940s as a choreographer, performer, composer, and teacher. Born in Port of Spain, Trinidad, on Nov. 29, 1919, Primus emigrated to New York City with her parents Ernest and Emily at the age of two and as she grew, she set her course on a career in medicine.
Earning a BA in Biology at Hunter College in 1940, Primus entered the graduate program at New York University intent on her pursuit, but finances soon thwarted her plans. To fund her education, she looked for a position as a laboratory technician, but discovered that racism barred her from employment. In a move that dramatically altered the direction of her life, she found a position with the New Deal National Youth Administration, and almost overnight she was plucked from working with costumes to working as a dancer. She never looked back. Although the NYA folded soon thereafter, Primus kept on her feet and auditioned for the left-oriented New Dance Group, winning a scholarship in 1943 that enabled her to become the group's first African American student.
Even at this early stage of her career, Primus's extraordinary talent was widely lauded, and almost as soon as she began to study, she began performing her own work. Her theatrical debut came at the 92nd Street Y on Feb. 14, 1943, where she performed her own "Africa ceremonial," "Hard-time blues," "Rock Daniel," and "Strange Fruit," the latter bearing an powerful political message -- a characteristic of much of her work -- drawing on the anti-lynching movement. In 1943, she signed on to an engagement with a racially integrated nightclub, the Café Society Downtown, and she later performed with her own troupe and in productions of Showboat, Emperor Jones, and Caribbean Carnival.
The rich dance cultures of Africa became a particular focus of Primus's work from the beginning, buoyed perhaps by the influence of the later stages of the Harlem Renaissance. She was among a group of colleagues and friends including Adadata Dafora and Katherine Dunham, eventually also Langston Hughes and Paul Robeson, who shared similar interests in exploring African cultures. For her part, Primus brought a scholarly intensity and rigor to her interests, pursuing her research from the African continent through the diasporic communities in the Caribbean and southern United States, typically immersing herself in her subjects quite literally. During the summer 1944, for instance, she toured the South to study firsthand the African roots of dance and music, posing as a migrant worker and working in the cotton fields.
While in the south in 1948, Primus was awarded a $4000 research grant from the Julius Rosenwald Fund which enabled her to spend eighteen months traveling from Senegal and Liberia to the Belgian Congo and Angola, living and working closely with the people she studied. Her experiences profoundly influenced her subsequent work, which was further enriched by travel in the Caribbean, Europe, and the Middle East, and by study with dancers from a range of traditions, from Martha Graham to Doris Humphrey, Hanya Holm, and Charles Weidman.
Primus's commitment to research and teaching both grew steadily during the 1950s. Earning an MA in educational sociology from NYU in 1959, she was named director of a performing arts center in Monrovia, Liberia, and in 1963, she and her husband Percival Borde opened the Primus-Borde School of Primal Dance. Still busy as a performer, she eventually earned a doctorate in anthropology at NYU in 1978, where she bore the distinction of becoming the first person to fulfill a language requirement with dance.
Settling in New Rochelle, N.Y., in 1979, Primus and her husband established the Pearl Primus Dance Language Institute to offer classes that reflected her interest in blending African and Caribbean dance forms with modern dance and ballet techniques. She ended her performing career in 1980, but continued to teach and lecture, serving as director of the Cora P. Maloney College at SUNY Buffalo and for between 1984 and 1990, as a Professor of Ethnic Studies in the Five Colleges Consortium. She was the recipient of numerous prizes and awards over her career, including the Liberian Star of Africa, the Scroll of Honor from the National Council of Negro Women, and, in 1991, the National Medal of the Arts.
Primus was married twice: in 1950, she was joined in an interracial marriage to Yael Woll, the son of a principal of the Torah School on the Lower East Side, and then in 1954, she married dancer and choreographer Percival Borde, with whom she held a close working partnership that lasted until his death in 1979. Primus died from the effects of diabetes after a brief illness on October 29, 1994. She was survived by her son, Onwin Borde.
Raised in Brooklyn and Great Neck, New York, Peggy Topf Schwartz began her career as a dance educator in the late 1960s, creating a rhythm and movement program for the Pilot Program for Head Start in Berkeley, California. She became a dance professor at Hampshire College in 1983, later serving as the Director of the UMass Amherst Dance Program and the Chair of the Five College Dance Department. Murray Schwartz was born in New York City in 1942. Over the course of his career, he studied and taught psychoanalysis, Shakespeare, and the Holocaust. He was involved as a co-editor in several other publications, such as Representing Shakespeare: New Psychoanalytic Essays (1980), Memory and Desire: Psychoanalysis, Literature, Aging (1985) and Psychoanalytic Encounters (2009), as well as several essays published in PsyArt, an online journal on which he served as editor. He was Dean of Humanities and Fine Arts at UMass Amherst from 1983 to 1991, and later went on to serve as Provost of the Claremont Graduate University and Vice President for Academic Affairs at Emerson College. The pair met as students at the University of Rochester in the early 1960s, both studying English in the honors program. They married in 1963.
Peggy and Murray Schwartz first encountered Pearl Primus in 1980 at SUNY Buffalo, where Primus was applying to become the headmaster of the Cora P. Maloney College of Afro-American Studies. Murray, who was Dean of The Colleges at the time, gave her the position, and later went on to arrange a number of short-term academic appointments for her in the Five College consortium after the couple’s move to Amherst. Not long after their introduction, the three formed a close friendship that would last until Primus’ death in 1994. Although the thought of recording Primus’ legacy was never formally discussed between them during her lifetime, the Schwartzes believe that “In her last years it was as if she was preparing us for our roles as her biographers, as she told of the many people who were important to her and whom she influenced in her myriad worlds” (The Dance Claimed Me 6). Using the stories so often recounted to them during their time together, the couple followed the threads of Primus’ life to the places and people most influential to her. Between 1995 and 2007, Peggy collected interviews from over a hundred of Primus’ friends, family members, and colleagues. Their book, (The Dance Claimed Me: A Biography of Pearl Primus, was published in 2011.
